This past weekend at the church where I serve, we presented our annual Palm Sunday pageant depicting the birth, life, death, and resurrection of Jesus Christ. It is a lot of work for all involved, but I always come out of the pageant with a deep sense of satisfaction and awe, for I have the privilege of working with amazing people who have amazing gifts and know how to use them in amazing ways.  I am deeply thankful for the people with whom I get to work.  They are a blessing to me.

In one way, our pageant can be characterized as a spectacle. It has moving music featuring a live orchestra and choir, well-choreographed lights, lots of actors, and a graphic enough depiction of Christ’s death that we make available an alternative worship service for small children who may be unsettled by what they see. But, of course, it isn’t the spectacle of our Palm Sunday pageant that makes it valuable and powerful. It’s the message. There is simply no better message than the gospel message – that Christ was crucified for sinners. Our prayer is that this message – as it is presented in the pageant – leads hearts to repentance and faith, even as God has promised in His Word.

In Luke’s account of Jesus’ crucifixion, there is an interesting reaction to His death from the bystanders: “All the crowds that had assembled for this spectacle, when they saw what had taken place, returned home beating their breasts” (Luke 23:48). The word for “spectacle” in Greek is theoria, related to our English word “theatre.” This is a most appropriate word because crucifixions were indeed gory theatre. If someone was an enemy of the Roman State, the governing officials, though they could have executed such a person in other, more efficient and less gruesome ways, chose crucifixion. Why? Because crucifixion served as a public, humiliating spectacle. In fact, most criminals were crucified naked so as to shamefully expose them. Jesus is no exception. His crucifixion is meant to be theatre. It is meant to be spectacle. It is meant to be theoria, just as Luke says.

But in the middle of this spectacle, something unexpected happens.

When the crowds see the darkness that covers the land, when they hear the news that the curtain of Jerusalem’s temple has been torn in two, when they hear Jesus commend Himself into His Father’s hands, and when they are startled by the testimony of one of Jesus’ executioners saying, “Certainly this man was innocent” (cf. Luke 23:44-47), they “return home beating their breasts.” In Jewish piety, this is a sign of repentance (e.g., Luke 18:13). What begins as theatre and spectacle becomes a life-changing event that testifies to the truth of Jesus’ identity and to the promise of God’s salvation.

At many churches this Holy Week, there will be a certain amount of spectacle. There will be Maundy Thursday services that conclude dramatically with a reading of Psalm 22 and a stripping of the church’s altar to remind us of Christ’s humiliation on the cross. There will be moving Good Friday Tenebrae services that turn sanctuaries black with darkness to remind worshipers of the darkness of sin and of Jesus’ death. And, of course, there will be energetic Easter services, complete with Easter lilies, rafter-shaking music, and the historic, thrilling Easter greeting, “Christ is risen!” to which the congregation will respond, “He is risen indeed! Alleluia!” Yes, there will be plenty of spectacle this week. And this, I would note, is great. I love the spectacle of this time of year.

My prayer, however, is that even as spectacle may be an inevitable and helpful part of Holy Week, we remember that it is not all of Holy Week. For the spectacle is meant to point to something better – and to Someone greater. The spectacle is meant to point us to the cross – and to the One who died on it. And Jesus is more than a spectacle. He is your Savior. That’s what those bystanders at Jesus’ cross discovered as they beat their breasts. And that’s what we are called to believe.